片名:《沒(méi)有和解》

類型:劇情片

上映時(shí)間:1965

上映地區(qū):其它

導(dǎo)演:讓-馬里·斯特勞布,達(dá)尼埃爾·于伊耶

主演:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,達(dá)尼埃爾·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,

集數(shù): 完結(jié)

語(yǔ)言:其它

劇情片沒(méi)有和解由演員Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,達(dá)尼埃爾·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,精彩表演，沒(méi)有和解講述了一段感人的故事。沒(méi)有和解劇情片由知名導(dǎo)演讓-馬里·斯特勞布,達(dá)尼埃爾·于伊耶指導(dǎo)拍攝，沒(méi)有和解的影片鏡頭完美，沒(méi)有和解的劇情千回百轉(zhuǎn)，沒(méi)有和解的精彩片段膾炙人口，沒(méi)有和解讓人夸夸其談。沒(méi)有和解上映于1965年，沒(méi)有和解在上映地區(qū)其它受到大家喜歡，而成為熱門電影。沒(méi)有和解的評(píng)分達(dá)到1.0分，所以沒(méi)有和解是一部?jī)?yōu)秀的劇情片。

沒(méi)有和解劇情講述了:The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich B?ll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert F?hmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation F?hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。