片名:《紅花之歌》

類型:劇情片

上映時(shí)間:1919

上映地區(qū):其它

導(dǎo)演:莫里茲·斯蒂勒

主演:Greta,Almroth,Arvid,Dahlberg,約翰·?？寺?/p>

集數(shù): 完結(jié)

語言:其它

劇情片紅花之歌由演員Greta,Almroth,Arvid,Dahlberg,約翰·?？寺时硌荩t花之歌講述了一段感人的故事。紅花之歌劇情片由知名導(dǎo)演莫里茲·斯蒂勒指導(dǎo)拍攝，紅花之歌的影片鏡頭完美，紅花之歌的劇情千回百轉(zhuǎn)，紅花之歌的精彩片段膾炙人口，紅花之歌讓人夸夸其談。紅花之歌上映于1919年，紅花之歌在上映地區(qū)其它受到大家喜歡，而成為熱門電影。紅花之歌的評分達(dá)到8.0分，所以紅花之歌是一部優(yōu)秀的劇情片。

紅花之歌劇情講述了:“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.。