片名:《麥吉的農(nóng)場》

類型:紀錄片

上映時間:2020

上映地區(qū):無對白

導演:詹姆斯·班寧

主演:內(nèi)詳

集數(shù): 完結(jié)

語言:無對白

紀錄片麥吉的農(nóng)場由演員內(nèi)詳精彩表演，麥吉的農(nóng)場講述了一段感人的故事。麥吉的農(nóng)場紀錄片由知名導演詹姆斯·班寧指導拍攝，麥吉的農(nóng)場的影片鏡頭完美，麥吉的農(nóng)場的劇情千回百轉(zhuǎn)，麥吉的農(nóng)場的精彩片段膾炙人口，麥吉的農(nóng)場讓人夸夸其談。麥吉的農(nóng)場上映于2020年，麥吉的農(nóng)場在上映地區(qū)無對白受到大家喜歡，而成為熱門電影。麥吉的農(nóng)場的評分達到7.0分，所以麥吉的農(nóng)場是一部優(yōu)秀的紀錄片。

麥吉的農(nóng)場劇情講述了:

A portrait of an art institution as a cinematic landscape: in a succession of static shots, James Benning explores the buildings and terrain of the California Institute of the Arts, where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.