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當前位置 首頁 歐美劇 《衣領上的唇印》

衣領上的唇印4.0

類型:歐美劇 英國 1993

主演:Giles Thomas  Ewan McGregor  Louise Germa..  

導演:內詳  

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衣領上的唇印相關的美劇

劇情介紹

片名:《衣領上的唇印》

類型:歐美劇

上映時間:1993

上映地區(qū):英國

導演:內詳

主演:Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis

集數(shù): 完結

語言:英語

歐美劇衣領上的唇印由演員Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis精彩表演,衣領上的唇印講述了一段感人的故事。衣領上的唇印歐美劇由知名導演內詳指導拍攝,衣領上的唇印的影片鏡頭完美,衣領上的唇印的劇情千回百轉,衣領上的唇印的精彩片段膾炙人口,衣領上的唇印讓人夸夸其談。衣領上的唇印上映于1993年,衣領上的唇印在上映地區(qū)英國受到大家喜歡,而成為熱門電視劇。衣領上的唇印的評分達到4.0分,所以衣領上的唇印是一部優(yōu)秀的歐美劇。

衣領上的唇印劇情講述了:

  The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.

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